FAZIL SAY

Freitag, 13 März 2026 - 19:30

Visionary Images in the Music of Mussorgsky
By Roberto Calabretto

For nearly thirty years, Fazıl Say has captivated audiences with a rare interpretive power, dazzling technique, and a communicative energy that makes every concert a unique experience. Discovered in Ankara by composer Aribert Reimann, he trained in Germany with David Levine and later refined his artistry with Menahem Pressler. His classical training, combined with a musical education open to improvisation, has forged a singular artistic voice. His repertoire ranges from Bach, Haydn, Mozart, and Beethoven to Romantic, 20th-century works, and his own compositions. Say is the author of six symphonies, two oratorios, solo concertos, chamber music, and an extensive catalog of piano works. Among his numerous honors are four Echo Klassik Awards, the Gramophone Classical Music Award for his recordings, and the Beethoven Prize for Human Rights, Peace, Freedom, Poverty Reduction, and Inclusion.

Not only a genius pianist, but undoubtedly one of the great artists of the 21st century.


Modest Petrovič Musorgskij
(Karevo, 1839 – San Pietroburgo, 1881)

Quadri da un’esposizione – Ricordo di Viktor Hartmann
Promenade
I. Lo gnomo
Promenade
II. Il vecchio castello
Promenade
III. Tuileries (Litigio di fanciulli dopo il gioco)
IV. Bydło
Promenade
V. Balletto dei pulcini nei loro gusci
VI. Samuel Goldenberg e Schmuÿle
Promenade
VII. Limoges, il mercato (La grande notizia)
VIII. Catacombe (Sepolcro romano) – Cum mortuis in lingua mortua
IX. La capanna sulle zampe di gallina (Baba Jaga)
X. La grande porta (Nella capitale Kiev)

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Fazil Say
(Ankara, 1970)

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