Around Brahms.
Conversation with the artists
The elegant composure on stage further enhances the impeccable technique, expressive even in the most virtuosic passages and exciting in the melodic moments: even so, according to the critics, Francesca Dego’s mastery is manifested. Her talents are accompanied by the incisive touch, the rich tonal and dynamic palette, the art of phrasing and the rare musical intelligence of Alessandro Taverna. Two champions who met by chance on this very stage during the pandemic and today give us an emblematic moment of their chamber partnership.
Tickets online sale begins at 10:30 a.m. on October 24, 2023.
Francesca Dego and Alessandro Taverna have found that alchemy that gives hope for a fruitful future collaboration.
Operaclick.com, Paolo Bullo, agosto 2021
CLARA SCHUMANN
(Lipsia, 1819 – Francoforte sul Meno, 1896)
Drei Romanzen, op. 22
I. Andante molto
II. Allegretto: Mit zartem Vortrage
III. Leidenschaftlich schnell
JOHANNES BRAHMS
(Amburgo, 1833 – Vienna, 1897)
Sonata n. 3 in re minore per violino e pianoforte, op. 108
– Allegro
– Adagio
– Un poco presto e con sentimento
– Presto agitato
ARNOLD SCHÖNBERG
(Vienna, 1874 – Los Angeles, 1951)
Fantasia per violino e pianoforte, op. 47
– Grave. Più mosso. Meno mosso
– Lento. Grazioso. Tempo I. Più mosso
– Scherzando. Poco tranquillo. Scherzando.
Meno mosso. Tempo I
RICHARD STRAUSS
(Monaco di Baviera, 1864 –
Garmisch-Partenkirchen, 1949)
Sonata in mi bemolle maggiore per violino e pianoforte, op. 18
– Allegro, ma non troppo
– Improvisation: Andante cantabile
– Finale: Andante – Allegro